Young Claudia works in a supermarket where she promotes various types of products. One night, she ends up in the emergency room with severe appendicitis and meets Martha, a patient, laying in the bed next to hers.
Based on real events, 17-year-old Johnny García becomes involved with four older thugs who are planning to rob a money-laundering business masquerading as a video store. As they try to escape, a swarm of exploitative media attention awaits.
An anonymous body in the Arizona desert sparks the beginning of a real-life human drama. The search for identity leads us back across a continent to seek out the people left behind and the meaning of a mysterious tattoo.
After five failed attempts to go to the United States, 18-year-old Ramón decides to look for a friend’s aunt in Germany, but never finds her. With no papers or money, and without knowing the language, he barely survives living on the street until he meets Ruth, an old retired nurse who doesn’t speak Spanish. Beyond language barriers and prejudices, they discover that solidarity and humanity make life bearable.
Expanding on ideas from “La Tarea” (Homework), Director Jaime Humberto Hermosillo continues his story, now of a young man completing an assignment for his film/video class. The young man invites Marieda, a middle-aged woman, over to his aunt’s house to rehearse for a video drama she believes they will eventually record. But she doesn’t realize that she is being videotaped since her arrival. After a faux-sex scene rehearsal, they do make love, which causes an unexpected reaction within the young man. Minutes later the real horror of their true relationship is revealed!
An android fighting-machine (Mario Van Peebles) is charged with destroying a small brigade of rebels in a Latin American war who are fighting to maintain their freedom and protect their village. Contrary to his programming, Peebles decides to stay and assist the rebels in their plight. Having gained this information, his “creators” develop a more powerful android to try and defeat him.
An astonishing fictional account of the unending series of murders of young women in Ciudad Juarez, Mexico, which began in 1996. Most of the victims are low-paid laborers who have been drawn to the town by the possibility of work at American-owned factories. In the film Mexican police officer Blanca Bravo is sent to Cuidad Juarez to investigate and comes to learn realities of these women’s lives, as well as the truth about a police force and local power structure embodied by entrepreneur Mickey Santos that has ceased to care.
At a rundown bus station in rural Cuba, the line of passengers waiting just keeps getting longer. The problem is that every bus that passes by is already full. Their only hope is to wait for the station’s bus to be fixed. As the disparate group settles in, relationships start forming between the passengers: Emilio, a young engineer, becomes smitten with a beautiful young woman who is en route to meet her Spanish fiancé, a blind man gets support from the others to go to the head of the line. Frustration and disorder reign when the one bus brakes down and no one can leave. Resigned to working together, the group magically transforms the station into a beautiful place where no one wants to leave.
When her brother disappears during a brief travel layover in Mexico, Mitch begins a desperate search that will eventually lead the young divorcee into the capital city’s most notorious neighborhood. But even with the aid of the American Ambassador, her plight is only met with indifference and inaction from the authorities. As the story unfolds, Mitch is forced to look for help in the least likely places as she races against time in a dangerous quest to find answers and locate her brother.
Heist movie: bank teller develops an elaborate game plan to lift money from the vault where she works.
Sofia, 14 years old, is in love with Ulises. Because of him, in spite of him, she is forced into a prostitution network in Mexico. To set her free, Ulises will have to find another girl to replace her. Adapted from Jorge Volpi’s novel, set in the world of juvenile prostitution.
2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.
Brijes are magical animal spirits that have been in contact with human beings since the beginning of time. Every human had his brije: The human cared for his brije and vice versa. When the human turned 13 the old shamans performed the ritual a synchronizing ritual trough which the human and the brije were able to transform into the warrior form: a physical state in which the human acquired the powers of his brije and extraordinary strength needed to perform acts of heroism. Unfortunately hundreds of years ago, with the birth of modern science and technology, this union was severed and humans stopped believing in magic.
Away from professional stadiums, bright lights, and manicured fields, there’s another side of soccer. Tucked away on alleys, side streets, and concrete courts, people play in improvised games. Every country has a different word for it. In the United States, we call it “pick-up soccer.” In Trinidad, it’s “taking a sweat.” In England, it’s “having a kick-about.” In Brazil, the word is “pelada,” which literally means “naked”—the game stripped down to its core. It’s the version of the game played by anyone, anywhere—and it’s a window into lives all around the world. Pelada is a documentary following Luke and Gwendolyn, two former college soccer stars who didn’t quite make it to the pros. Not ready for it to be over, they take off, chasing the game. From prisoners in Bolivia to moonshine brewers in Kenya, from freestylers in China to women who play in hijab in Iran, Pelada is the story of the people who play.
FEDERICO, a man who has lost everything in life, creates a new religious cult kidnaps FERNANDO, a former business partner, whom trying to leave as heir of worship amid a slaughter justified by their own past tragedies.
Ana, a nine year old girl, arrives with her mother to an isolated beach with the intention to rest and to know the sea. There, she discovers that they are under a terrible threat, therefore she is obligated to look for help with her father in order to save her mother.
Ricardo and Andres are brothers who decide to break with routine and take a trip that will change the way they view and live their lives. A mixture of good and bad decisions bring them face to face with death; to survive, they will have to decide what is more important: love among brothers or the love of a woman; honor and justice, or the easy life.
Ray and Ramona is a young couple in their 30s. They hate the injustice of the social context they are part of. Each from their own niche Ramona as a musician, Ray as an activist tries to fight for a more just world. Devoted to self-sabotage, Ray fails in his rebellion and drags Ramona into a downward spiral that culminates in an act of poetic terrorism.
Mike Todd is a Broadway producer struggling to produce the film. Around the World in 80 Days. In Mexico, Mario Moreno, a young entertainer is struggling to get some respect, and he manages to become a star. A twist of faith makes them partners. Together they won the Oscar for Best Picture.
Poncho is a student at a prestigious college in northern Mexico who is immersed along a single day on a whirlwind adventure through the various levels of the narc world after accepting the help of “Greñas”, a guy working in the parking lot of his college, who will explain him how to buy marijuana on the campus for the first time.
Twisted, apocalyptic satire, THIS IS NOT A MOVIE envisions the end of the world through the bi-polar mind of a strung-out pop-culture addict. Starring Edward Furlong and Peter Coyote, with a jagged, atmospheric score from Slash.
Mexico, 1985. Juan and Wilson, two perennial Veterinary students, perpetrate an audacious heist in the National Museum of Anthropology, running away with a loot of more than hundred invaluable pieces of Mayan art, unaware of the consequences of their outrageous act.
Mexican horror film about an American painter named Mary (Cristina Ferrare) who is living in Mexico where she sells her works and also kills people for their blood. It turns out Mary is a vampire but not the traditional one with fangs. Since she has no fangs she must stab or slash the throats of her victims but soon she has a new man (David Young) in her life as well as a mysterious man (John Carradine) in black who appears to be doing the same type of murders.
Anabel Bolio is a beautiful and young workingwoman; Oskar Pratz is a brilliant and handsome entrepreneur. A spark of mutual attraction is inevitable and a torrid romance ensues. But what seams to be the prefect love story quickly decay and spiral downward into dangerous sexual games that lead to tragedy.
When four women move into an old house left by one woman’s aunt, strange things begin to happen. Bizarre voices, visions of ghosts, and mysterious noises lead them to discover the darkest powers of evil and a horror and agony beyond terror.
After accepting temporary work in a laboratory Cesar begins to notice strange events related to the treatment of a patient with the number 27, this disturbs him the extent of causing insomnia and hallucinations. Isela and Marcos, his coworkers attribute this to the Cesar fatigue, however the real reason for these views is more real and dangerous than they think.
Tells the story of the most prominent bank robber in the history of Mexico, his crimes, his different personalities, his career as a charro with a mariachi band, his getaways and the strange relationship he had with the one who finally came to stop him. Based on the true story of Alfredo Ríos Galeana.
Eight Mexican directors unite to bring tales of the most brutally terrifying Mexican traditions and legends to vividly shocking life. MEXICO BARBARO presents haunting stories that have been woven into the fabric of a nation s culture, some passed down through the centuries and some new, but all equally frightening. Stories of boogeymen, trolls, ghosts, monsters, Aztec sacrifices, and of course the Day of the Dead all come together in urban and rural settings to create an anthology that is as original as it is familiar and as important as it is horrifying.